Contemporary curation is changing in both theory and practice, and curators have been able to successfully join the collaborative process of reshaping contemporary artworks. Over the past decade, the 'new' museums and galleries have become more inclusive, and curators from a wide range of disciplines are curating public projects that offer opportunities for public participation in exhibition design and interaction.

In some cases, curators are more like 'producers' of art events. They initiate artistic practices and call for the participation of a wider audience of art lovers. In the contemporary context, new public spaces have become an integral part of contemporary art, in which physical spaces are juxtaposed with virtual spaces, creating a social cognitive turn.

My project is about open-ended art-making, i.e. home creation. Its central aim is to achieve a form of participation in 'open work'. This is because the curator is currently working in the public sphere as an initiator, developing collaborative projects with members of the community.

In my projects, people create home works in an actual physical space, either as creative craft objects or as mock shows, and upload them to a specially created new event space that is created by curators, participants, and the public as a new online art event space. With the emergence of such public spaces, art is no longer the exclusive domain of the privileged but belongs to the public.
In these new spaces, people can 'copy and collage', 'synthesize', 'recreate', and even 'spoof', thus forming a network of creative groups online.